Poetry, Writing, Collaborations

A woman of color with brown skin, short black hair, and glasses reads Jaye Sablan's poem called Witness. The poem is being project onto a wall at the Hedreen Gallery. Jaye Sablan contributed this poem for artist E.T. Russian's Double Clear exhibit (01/09/19, Seattle WA).
A gender non-conforming person with short, bleached hair and glasses reads Jaye Sablan's poem called Witness. The poem is being project onto a wall at the Hedreen Gallery. Jaye contributed this poem for artist E.T. Russian's Double Clear exhibit (01/09/19, Seattle WA).
An older White woman, short hair, and glasses reads Jaye Sablan's poem called Tronkun At'but. The poem is being project onto a wall at the Hedreen Gallery. Jaye contributed this poem for artist E.T. Russian's Double Clear exhibit (01/09/19, Seattle WA).

Auriga/Becoming Real
Poem Auriga and interview with Jaye in graphic non-fiction book Our Work is Everywhere: An Illustrated History of Queer & Trans Resistance by Syan Rose. Arsenal Pulp Press, March 2021.

Witness and Tronkun At’but
Two poems projected in e.t. russian’s multi-sensory art exhibit Double Clear

Teresia Teaiwa
Short essay published in Bitch magazine w/ illustration by Syan Rose

Auriga and Indisposable
Two poems in Yellow Medicine Review

Scents of My Mother
Poem in Nepantla

Indisposable
Poem excerpted with audio narration for LV Morrow’s film Bend

Scents of My Mother
A visual poem w/ videography by filmmaker Shann Thomas

Åpuya
Poem in As/Us

copyright © Jaye Sablan 2021